Tag Archive for: Arts Council England

DATA DRIVEN DECISIONS

June is a busy month for our team as it is when we make all the data-driven decisions for the National Portfolio Organisations (NPO) funded by the Arts Council.

We offer an affordable service to help organisations collect all the data they need during the year for the Arts Council. We also help them import it into the funder’s portal, which opens between April and June. Whilst we are then  assembling all of the data, ready to fill in the portal, we analyse and report on all the data for the organisations, to enable them to make data-driven decisions. This is when we bring the data to life. Our data-driven decisions take the form of a team presentation followed by a report. We share trends shown over time, outputs, audience information and artist voices. We anonymise and share any staff issues and also provide staff and board demographic profiles. We look at ideas and spaces where organisations could shout about the great work they are doing (or do more of) alongside ways to improve. Some include practical operational tips to make sure organisations are using their limited resources and limited staffing in the best possible way, i.e. the most efficient way. The beauty of these presentations is that they are data-led and we don’t know what we will find until we analyse the information.

What is an NPO? The Arts Council explains “National Portfolio Organisations are leaders in their areas, with a collective responsibility to protect and develop our national arts and cultural ecology. Public investment brings public accountability, for us and for the organisations we invest in, and this is reflected in our expectations.”

Organisations do have to be accountable in terms of detailed data. It can be quite tricky to understand the requirements too, for example, in 2024/2025 there have been a lot of changes, with the launch of a new system for one part of data collection, called ‘Illuminate.’

The Evaluator has been offering this service for a number of years, and our NPO cohort has grown significantly since 2023. We love working with arts organisations to make sure we figure it out for them. The Arts Council is keen for organisations to use their own data more, so it’s a win-win relationship.

Are you  an NPO organisation who has recently been through a challenging time in finding data, assembling the right information and putting all your data into the portal when it opened? If so then why not give us a call? We might be able to help you and it is much better value than you might expect. In fact, our packages have a standard cost of £2,400 plus VAT each year. You can call us on 01756 532 538 or email info@theevaluator.co.uk

If you are interested in this idea but are not quite sure you want to talk yet, then why not join our mailing list?

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We only mail out about 3 newsletters per year, so you definitely won’t feel bombarded, but it is a great way to keep in touch and learn about our approach to evaluation and data in general.

VISIT IN PERSON: WE INVENTED THE WEEKEND

We were lucky enough to be invited to evaluate the ‘We Invented the Weekend’ festival at Salford Quays in June 2024. The festival is busy! It attracts thousands of visitors and has; performances, tents, music, shopping, sports, boats, cyclists, dancers, parades, talks – you name it and it is probably taking place across the site. Evaluating something like this requires a lot of energy and luckily The Evaluator has been honing its festival approach for many years now. We don’t often get to work next to celebrities like Bluey and Supertato though! Not forgetting the Gladiators and Mr Motivator!

You can read more about the We Invented The Weekend festival here.

four colourful textiles with the letters W I T W in a grid

We worked with an amazing team of volunteers and two giant dice to collect feedback at the weekend festival. We are very proud to say that across two sites, with a really small evaluation team, we were able to collect almost 500 completed feedback surveys during the weekend itself. We also created a brand-new game which worked really well, involving a giant dice and questions which aligned to the dice roll. This means that we have really good results across a wide cross section of people, great sample sizes and very good data.

 

photogragh of Salford Quays which shows tall buildings and blue skies next to water with people walking

Whilst there, we also carried out extensive footfall counting, to allow us to create a robust estimate of footfall over the whole weekend.

Our surveys are still live for this project and we are looking forward to collecting and analysing all the data over the summer months.

You might spot us at the next couple of festivals we are working on; these are ‘The Festival of Culture’ in Nelson in June and also ‘The National Festival of Making’ in July.

You can see more about The Festival of Culture here, and you can see more about The National Festival of Making here.

We actually evaluate the number of festivals and are happy to come along and support data collection if needed. Our festival analysis includes audience profiles, quality measures, practical experience and ways to improve, alongside footfall and economic impact. We would be happy to have a chat if you have a festival, that you would like to know more about, evaluating. You can call us on 01756 532 538 or email: info@theevaluator.co.uk

New client: We Invented the Weekend

The Evaluator is delighted to be working with a new client, We Invented the Weekend. You can see more about them on this link. 

We Invented the Weekend is ‘The festival of free time’ and we are looking forward to working together at this high profile and exciting event. The festival is taking place on Saturday 15 & Sunday 16 June and is happening at Media City and Salford Quays. There is an amazing line up including live music, family fun, wellness workshops and sports activities – all for free!

Thousands of people will be making their way there, and we’ll be on hand during the festival with a team of volunteers to understand their experiences. This will include audience profiles, demographic segmentation, economic impact, quality of experience and more. We will be providing a full festival evaluation.

New client: The Bureau for the Arts, Blackburn

The Evaluator is delighted to be starting a new evaluation; Chip In. Isn’t that a great name? Northern, does what it says, and everyone loves chips!

Helping people, building community, changing lives!

Chip In is a place- based project which aims to engage and mentor young people aged 16-30 in volunteer opportunities across Blackburn with Darwen’s arts, culture, sport, heritage and environment sectors over the next two years. The Project aims to break down barriers which young people face in volunteering, bring together opportunities and build skills, confidence and community.

The Bureau Centre for the Arts is among over 160 organisations across arts, culture, sport, civil society, youth, and heritage sectors to benefit from the £4.6 million Volunteering Futures Fund.

Chip In (formerly Volunteering Now) is our two year volunteer partnership programme for young people aged 16-30. We have teamed up with a range of local partners in the borough to provide opportunities for volunteering in a range of areas such as events, music, project development, admin, exhibition invigilation, workshop support, stewarding, curation, collection handling, supporting youth sessions, social media and blogging, food growing and much more!

You can see more about the project here or read more about Volunteering Futures here. 

Learning about data; Working with qualitative data

From time to time, we share a director’s blog post, where we share some learning about how to use your data (information) better. This is a post all about how to use qualitative data, that’s the information that is made up of words rather than numbers.

The chances are that your organisation already has a bank of this data but it may not be well organised and easily accessible. Below is a list of some of the many ways you might have collected qualitative data, possibly without realising it.

How credible is your qualitative data?

There is a distinction between primary and secondary data and it’s important to understand what you have collected as the credibility differs between the two.  Primary data is more credible and robust.  It is the data that people told you or have written themselves.  Secondary data is that which is overheard in discussion or something that someone has heard and told you about.

To check the credibility of your secondary data, you can apply the Rule of 3. If you’ve heard it from 3 different places or if it’s come from 3 different people independently then it can be considered as credible and representative of a thought or opinion.

How to make the qualitative data more usable? 

We use word or phrase frequency analysis to evaluate our qualitative data to look for patterns of frequency of words to identify common themes.  This can be done online using free tools, like this one,  and they just count the words for you.  We often use the top 10 words or phrases.  You can also use the ratio of positive to negative words that are used or how far down the feedback the first negative word appears.  Using these methods helps to quantify data and make it more digestible and can be used in marketing or to track changes over time.

Mind maps can be useful to illustrate and develop on the themes identified. You can just draw these freehand to have a look at what the main themes are.

Word clouds provide a visual representation at a glance of the qualitative data and this is also a resource that can be sourced freely online.  The most common words appear the biggest in the cloud, making this data easier for the reader to understand visually.

Top tip – try to be objective, it can be hard to hear negative comments but it is how we improve and know what to fix, and they’re often in the minority compared to positive comments.

How to use and share qualitative data?

This data can be used in many different ways:

We also use qualitative data to create case studies which illustrate people’s journeys and direct engagement.  Case studies can be shared at board level and to show case your project’s work for marketing purposes.  Case studies appeal to a wide audience and are particularly useful in attracting funders as voices are recorded and reflected in these studies.

In our experience as evaluators, a case study from a project that we evaluated got shared with funders (Green Recovery) who sent it on to The National Lottery Heritage Fund who then sent it on to the Department of Work and Pensions.  Case studies are impactful in that they record real voices and can attract publicity and raise awareness of change.

 

If all of this sounds like too much work and you don’t have time, get in touch. We are happy to have a chat about your individual requirements and to see how we could help.

Thanks to all our 2022 clients!

Images of all our client logos - there are a lot including national trust, wildlife trusts, in-situ, county councils and more

Huge thanks to all our 2022 clients, many of whom we will still be working with in 2023 and beyond.
The office is closing for Christmas on Thursday 22nd December and will reopen refreshed and renewed on Tuesday 3rd January.

Happy holidays to all.

Kirsty and all at The Evaluator

New Evaluation: Green Loop

The Evaluator is delighted to be working with a new client, Fylde Borough Council on their arts and environment project; Green Loop. Based around Lytham St Anne’s, Green Loop as a name was inspired by the idea of creatively re-using the waste products which wash up on the shore.

There are three parts to this project including a new Eco-Market taking place at Fairhaven Lake, running with eco-friendly makers and crafts people and curated by Hopeful & Glorious. It has been really nice to work with Heather from Hopeful & Glorious as we worked together many years ago when both of us were working in Arts Development in Lancashire. Hopeful & Glorious curate many high quality events, and you can see more about them on their website here. 

Environmental artist Nerissa Cargill Thompson, is both creating an artist commission and working with a group of volunteers to take part in a 12 week programme to learn how to become an environmental maker with a creative business. That’s a journey of discovery for sure! We will enjoy writing about that as creative business is one of our particular interests.

Nerissa describes her work as:

Exploring change over time, not just eroding or decaying but new layers of growth, giving juxtapositions of structure and colour. Recent mixed media sculptures combine embellished textiles and cement cast in plastic packaging to highlight the legacy of disposables. Naturally inspired textures emphasise the way our waste becomes subsumed into the natural world around us.

Images of recent works can be seen on her website here. 

This project is run by Fylde Borough Council whose website is here, and the project is funded by Arts Council England.